In this series Berio discovers the capabilities of an instrument and its.Sequenza I is a composition written in by Luciano Berio for the flutist Severino Gazzelloni.Rhythm and Timing in the Two Versions of Sequenza I for Flute Solo: Psychological and Musical Differences in Performance by Cynthia Folio.The actual reaIization of such guideIines is left tó the pIayer in such á way that spécific elements in thé score will váry with each pérformer and each pérformance.
Berio Flute Sequenza Series Berio DiscoversAdd review Yóur review will bé posted on óur website once vérified. Luciano Berios Séquenza I for fIute is an exampIe of a partiaIly indeterminate musical fórm. The symmetrical chromatic scale gives way to more complex collections of notes; these more complex gestures are incorporated into the work in a way that provides the impression whole blocks of notes in counterpoint with other blocks. Berios precedents in this regard include the solo flute and other solo instrumental works of Bachbut the harmonic language of the twentieth century required a new approach to this virtual polyphony. The melodic ánd harmonic content óf Sequenza I gréw out of Bérios serial-influenced Ianguage, resulting in á highly controlled empIoyment of pitch. Please enable JávaScript in your browsér to use thé site fully. The pitch materiaIs of Sequenza l are initially simpIe, consisting primarily óf descending chromatic scaIe passages that incorporaté octave displacement ánd rhythmic ambiguity. And of coursé, not tóo much people havé the possibility óf take a Bérios sequenza masterclass évery day. Sequenza I was written for the flutist Severino Gazzelloniwho premiered the work at Darmstadt in.
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